Francophone Belgian Cinema (English, Jamie Steele)

Product description Review Select Guide Rating Book Description Considers transnational, national and regional concepts within contemporary francophone Belgian cinema From the Inside Flap Francophone Belgian Cinemaby Jamie SteeleFrancophone Belgian Cinema offers an original critical analysis of filmmaking in an oft-neglected national and regional cinema. The book draws key distinctions between the local, national, small national, regional and transnational frameworks in both representational and industrial terms. Alongside the Dardenne brothers, this book considers four promising Francophone Belgian filmmakers who have received limited critical attention in academic publications on contemporary European cinema: Joachim Lafosse, Olivier Masset-Depasse, Lucas Belvaux and Bouli Lanners. Exploring these filmmakers themes of post-industrialism, paternalism, the fractured nuclear family and spatial dynamics, as well as their work in the more commercial road movie and polar genres, Jamie Steele analyses their stylistic continuities and filiation. This is complemented by an analysis of how the industrial aspects of film production, distribution and exhibition contribute to the creation of both a regional and transnational cinema.Dr. Jamie Steele is Lecturer in Film and Screen Studies at Bath Spa University From the Back Cover Francophone Belgian Cinemaby Jamie SteeleFrancophone Belgian Cinema offers an original critical analysis of filmmaking in an oft-neglected ‘national’ and regional cinema. The book draws key distinctions between the local, national, small national, regional and transnational frameworks in both representational and industrial terms. Alongside the Dardenne brothers, this book considers four promising Francophone Belgian filmmakers who have received limited critical attention in academic publications on contemporary European cinema: Joachim Lafosse, Olivier Masset-Depasse, Lucas Belvaux and Bouli Lanners. Exploring these filmmakers’ themes of post-industrialism, paternalism, the fractured nuclear family and spatial dynamics, as well as their work in the more commercial road movie and polar genres, Jamie Steele analyses their stylistic continuities and filiation. This is complemented by an analysis of how the industrial aspects of film production, distribution and exhibition contribute to the creation of both a regional and transnational cinema.Dr. Jamie Steele is Lecturer in Film and Screen Studies at Bath Spa University About the Author Jamie Steele is Lecturer in Film and Screen Studies at Bath Spa University, having previously taught at both the University of Exeter and University of Bristol. He has published journal articles and book chapters for edited collections on regional, national and transnational cinema in a francophone Belgian context.Jamie Steele is Lecturer in Film and Screen Studies at Bath Spa University. He is the author of Francophone Belgian Cinema (EUP, 2019). Read more