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Gigs: Jazz And The Cabaret Laws In New York City by Paul Chevigny โ€“ Hardcover Book Cover
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Gigs: Jazz And The Cabaret Laws In New York City โ€“ A Legal and Cultural History of Music Licensing Reform by Paul Chevig

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Product Description

Introduction

Gigs: Jazz And The Cabaret Laws In New York City by Paul Chevigny is a compelling exploration of the intersection between law, music, and social change. This hardcover edition, published by Routledge, delves into the historic battle against repressive entertainment licensing laws that once stifled jazz performances in New York City. For Indian readers, law students, and music enthusiasts, this book offers a unique lens into how constitutional litigation can reshape cultural landscapes. It is not just a legal study but a vivid narrative of artists, activists, and lawyers who fought for artistic freedom.

Book Overview

This second edition of Gigs presents a detailed account of the cabaret laws that regulated live music in New York City for decades. Paul Chevigny traces the origins of these laws, their enforcement, and the eventual legal victory that overturned them. The book examines how jazz musicians, particularly those from marginalized communities, were targeted by these regulations. With a new preface by Hamish Birchall, an introduction by series editors Guy Osborn and Steve Greenfield, and an insightful afterword by the author, this volume provides a comprehensive update on the struggle for vernacular music rights. It is a must-read for anyone interested in how law can both suppress and liberate artistic expression.

Key Highlights

  • Historic Legal Victory: Chronicles the successful challenge to New York City's cabaret laws, a landmark case for musicians' rights.
  • Jazz as a Cultural Force: Shows how jazz was not just music but a catalyst for social and legal reform.
  • Second Edition Updates: Includes new commentary from experts, making it relevant for contemporary readers.
  • Interdisciplinary Approach: Blends law, sociology, musicology, and urban history into a cohesive narrative.

Inside the Book

The book is structured to guide readers through the legal maze of the cabaret laws. It begins with the historical context of post-war New York, where jazz clubs flourished but faced strict licensing. Chevigny then dissects the legal arguments used to fight the laws, including First Amendment claims. Readers will find court transcripts, interviews with musicians, and policy analysis. The afterword reflects on the aftermath of the victory and its implications for other cities. Each chapter builds a case for how law can be a tool for cultural liberation, making it an engaging read for non-lawyers too.

Key Topics

  • Cabaret Laws: The specific regulations that required venues to have a cabaret license to host live music.
  • Constitutional Litigation: How the First Amendment was used to challenge discriminatory licensing.
  • Jazz History: The role of jazz as a vernacular art form in mid-20th century America.
  • Social Change: The broader movement for civil rights and artistic freedom.

Reader Benefits

This book offers Indian readers a powerful case study of how legal systems can be leveraged to protect creative expression. It provides practical insights into the relationship between law and culture, which is relevant for understanding India's own debates on censorship and artistic freedom. For students of law, it demonstrates strategic litigation in action. For music lovers, it reveals the hidden legal battles behind the music they enjoy. The narrative is accessible, avoiding dense legal jargon, making it suitable for a general audience.

Learning Outcomes

  • Understand the historical context of entertainment licensing and its impact on musicians.
  • Analyse the legal strategies used to overturn repressive laws through constitutional arguments.
  • Appreciate the role of jazz in shaping social and legal discourse in urban America.
  • Draw parallels between the New York cabaret laws and contemporary issues of cultural regulation in India.

Who Should Read

This book is ideal for law students and legal professionals interested in civil liberties and entertainment law. It is also a treasure for music historians, jazz aficionados, and cultural studies scholars. Indian students of political science and sociology will find the intersection of law, race, and art particularly illuminating. Additionally, activists and policymakers working on cultural rights will benefit from the lessons of this landmark case. Anyone curious about how a city's nightlife can become a courtroom drama will enjoy this read.

About the Author

Paul Chevigny was a distinguished professor of law at New York University School of Law, where he specialised in constitutional law and civil rights. He was also a passionate jazz enthusiast and a member of the New York City Cabaret Law Reform Coalition. His unique background as both a legal scholar and a musician gave him firsthand insight into the struggle documented in this book. Chevigny's writing is known for its clarity and depth, making complex legal issues accessible to a broad audience. His work continues to inspire those who believe in the power of law to foster cultural vibrancy.

About the Publisher

Routledge is a globally respected academic publisher based in the United Kingdom, with a strong presence in India. They are part of the Taylor & Francis Group, known for publishing high-quality books in law, humanities, and social sciences. Routledge's commitment to scholarly excellence ensures that Gigs meets rigorous academic standards while remaining reader-friendly. For Indian readers, Routledge offers a bridge to global legal and cultural discourses, making this book a valuable addition to any library.

Conclusion

Gigs: Jazz And The Cabaret Laws In New York City is more than a legal history; it is a testament to the resilience of artists and the transformative potential of law. Paul Chevigny's masterful storytelling turns a dry legal topic into a gripping narrative of struggle and triumph. For Indian readers, it offers timeless lessons on defending creative freedom through constitutional means. Whether you are a law student, a music lover, or a social activist, this book will enrich your understanding of how law shapes culture. Order your hardcover copy from Bookshops.in today and delve into a story where justice and jazz share the same stage.

Quick Summary

Gigs: Jazz And The Cabaret Laws In New York City by Paul Chevigny is a seminal work that explores the legal and cultural battle over New York City's cabaret licensing laws, which restricted live jazz and vernacular music performances for decades. The book details how musicians, civil liberties groups, and lawyers used constitutional litigation under the First Amendment to overturn these repressive laws, ultimately changing the landscape of live music in the city. This second edition includes a new preface by Hamish Birchall, an introduction by series editors Guy Osborn and Steve Greenfield, and an afterword by the author reflecting on the ongoing relevance of the case. Readers will learn about the intersection of law, music, and social change, and gain insights into how legal strategies can protect artistic freedom. This book is ideal for law students, music historians, cultural policy makers, and anyone interested in the power of law to shape culture. By purchasing from Bookshops.in, Indian readers receive a high-quality hardcover edition with fast delivery and reliable service.

Book Highlights

โœ“Detailed account of the New York cabaret law reform movement
โœ“Explores the role of jazz musicians in challenging licensing restrictions
โœ“Examines constitutional litigation under the First Amendment
โœ“Includes a new preface by Hamish Birchall
โœ“Introduction by series editors Guy Osborn and Steve Greenfield
โœ“Afterword by author Paul Chevigny reflecting on the legacy
โœ“Connects legal history with cultural and social attitudes
โœ“Analyses the impact of licensing on vernacular music
โœ“Highlights the collaboration between artists and civil liberties groups
โœ“Provides a model for using law to achieve social change
โœ“Covers the period from Prohibition to the 21st century
โœ“Relevant for students of law, musicology, and American studies
โœ“Written in accessible yet scholarly prose
โœ“Published by Routledge, a leading academic publisher

Book Specifications

ISBN-139780415347006
ISBN-100415347009
Publisherโ€Ž Routledge
Languageโ€Ž English
Dimensionsโ€Ž 16.2 x 1.91 x 23.99 cm
Weightโ€Ž 499 g
Countryโ€Ž India
CategoryPerforming Arts โ€บ Music
GenreNon-fiction
Reading AgeAdult
Original LanguageEnglish

Frequently Asked Questions

What is the main subject of 'Gigs: Jazz And The Cabaret Laws In New York City'?
The book examines the history and repeal of New York City's cabaret licensing laws that restricted jazz and vernacular music performances.
Who is the author of this book?
The author is Paul Chevigny, a noted legal scholar and professor.
Is this book relevant for Indian readers?
Yes, it offers valuable insights into how legal systems can impact cultural expression, relevant to Indian debates on censorship and licensing.
Does the book cover only jazz music?
Primarily jazz, but it also discusses other vernacular music forms affected by the cabaret laws.
Who are the contributors to this edition?
Hamish Birchall wrote the new preface, and the series editors Guy Osborn and Steve Greenfield provided an introduction.
What type of readers would benefit most from this book?
Law students, music historians, cultural activists, and anyone interested in social change through litigation.
Is this a textbook or a narrative history?
It is a scholarly narrative that reads like a story while being thoroughly researched.
Does the book include court cases?
Yes, it discusses key constitutional cases related to the cabaret laws.
Is the book available in hardcover?
Yes, this edition is hardcover.
Does the book discuss the role of the ACLU?
Yes, the American Civil Liberties Union played a key role in the litigation described.
Why is the book titled 'Gigs'?
'Gigs' refers to the live performances that were regulated by the cabaret laws.
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