
Music, Art, and Metaphysics: Essays in Philosophical Aesthetics by Jerrold Levinson – A Foundational Work in Contemporar
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Product Description
Introduction
In the vast landscape of philosophical aesthetics, few works have shaped contemporary thought as profoundly as Jerrold Levinson's Music, Art, and Metaphysics: Essays in Philosophical Aesthetics. This hardcover reissue from Oxford University Press brings together a collection of essays that have become essential reading for students, scholars, and anyone captivated by the deeper questions surrounding art, music, and human creativity. For Indian readers and students exploring the intersections of philosophy, art criticism, and musicology, this volume offers a rigorous yet accessible gateway into the metaphysical foundations of aesthetic experience.
Book Overview
Originally published in 1990, this long-awaited reissue gathers Levinson's most influential writings, which established him as a leading figure in contemporary aesthetics. The essays traverse a wide range of topics, from the definition of art and the ontology of artworks to the psychology of aesthetic response and the logic of interpretation and evaluation. About half of the essays focus on music—the art form that has been Levinson's enduring passion—while the remainder engage with visual arts, literature, and the conceptual puzzles that underlie all artistic creation. Each essay stands as a landmark in its own right, cited extensively in debates on art's definition, emotional expression, and the nature of art forms.
Key Highlights
- Influential Collection: Brings together the essays that made Levinson a central voice in philosophical aesthetics, many of which are among the most cited in the field.
- Metaphysical Focus: Uniquely emphasizes metaphysical questions about artworks—what they are, how they exist, and what properties they possess.
- Music-Centered Depth: Half the essays delve into the philosophy of music, exploring musical expression, understanding, and ontology with unmatched clarity.
- Reissue Excellence: This Oxford University Press hardcover edition ensures lasting quality for libraries, classrooms, and personal collections.
- Enduring Relevance: Essential for debates on art's definition, emotional response to art, and the logic of artistic interpretation.
Inside the Book
Readers will find a carefully curated sequence of essays that build from foundational questions to more specialized inquiries. The opening essays tackle the definition of art—a perennial problem in aesthetics—while later chapters explore the ontology of musical works, the nature of musical expression, and the role of emotion in aesthetic experience. Levinson's prose is both precise and engaging, making complex metaphysical arguments accessible without sacrificing depth. Each essay is self-contained yet contributes to a larger dialogue about how we understand and value art in all its forms.
Key Topics
- Definition of art and its boundaries
- Ontology of musical works and artworks in general
- Emotional expression in music and the arts
- Psychology of aesthetic response and appreciation
- Logic of interpretation and evaluation in art criticism
- Nature of art forms and their interrelations
- Metaphysical properties of artworks
Reader Benefits
This book offers Indian students and academics a comprehensive resource for understanding the philosophical underpinnings of art and music. It bridges Western analytical traditions with universal aesthetic questions, making it invaluable for courses in philosophy, musicology, art history, and cultural studies. Readers will gain a deeper appreciation for how art shapes human experience and how metaphysical inquiry illuminates the creative process. The essays also provide a robust framework for analyzing Indian classical music, visual arts, and contemporary artistic practices through a philosophical lens.
Learning Outcomes
- Develop a nuanced understanding of the definition and ontology of art
- Analyze the role of emotion and expression in musical and visual arts
- Critically evaluate competing theories of aesthetic response and interpretation
- Apply metaphysical concepts to real-world artistic practices and debates
- Engage with foundational texts that have shaped modern aesthetics
Who Should Read
This volume is ideal for undergraduate and postgraduate students of philosophy, particularly those specializing in aesthetics or philosophy of art. It is equally valuable for music students seeking a deeper theoretical grounding in their discipline, as well as art critics, curators, and practicing artists who wish to explore the conceptual dimensions of their work. Scholars of Indian aesthetics will find stimulating parallels and contrasts with Western traditions. General readers with a passion for art and intellectual inquiry will also discover much to ponder.
About the Author
Jerrold Levinson is a distinguished professor of philosophy at the University of Maryland, College Park, and one of the most influential figures in contemporary aesthetics. His work has shaped debates on art ontology, musical expression, and the definition of art for over three decades. Levinson's essays are celebrated for their clarity, originality, and rigorous engagement with both historical and contemporary thinkers. He is also the author of several other landmark works, including The Pleasures of Aesthetics and Contemplating Art.
About the Publisher
Oxford University Press (OUP) is a globally respected academic publisher with a long tradition of producing authoritative works in philosophy, the humanities, and the sciences. This hardcover edition of Music, Art, and Metaphysics reflects OUP's commitment to scholarly excellence, offering a durable and beautifully produced volume that will serve readers for years to come. OUP's rigorous editorial standards ensure that every essay is presented in its definitive form.
Conclusion
Music, Art, and Metaphysics: Essays in Philosophical Aesthetics is more than a collection of essays—it is a cornerstone of modern aesthetic thought. For Indian readers, students, and scholars, this reissue provides an unparalleled opportunity to engage with the ideas that continue to shape how we understand, create, and experience art. Whether you are exploring the nature of musical expression, the definition of art, or the metaphysics of creativity, Levinson's work offers profound insights that will enrich your intellectual journey. Add this essential volume to your library today from Bookshops.in.
Quick Summary
Music, Art, and Metaphysics: Essays in Philosophical Aesthetics by Jerrold Levinson is a landmark collection that brings together the most influential writings of one of contemporary aesthetics' leading figures. The book delves into metaphysical questions about artworks and their properties, the definition of art, the psychology of aesthetic response, and the logic of interpreting and evaluating art. About half the essays focus on music, Levinson's primary artistic interest, making this volume essential for anyone studying the philosophy of music. Readers will gain a deep understanding of how philosophers think about art, music, and aesthetic experience, and will encounter arguments that have shaped decades of debate. This book is ideal for Indian university students of philosophy, art history, and musicology, as well as scholars and serious enthusiasts. By purchasing from Bookshops.in, you support a trusted Indian bookstore committed to delivering premium academic titles with reliable service.
Book Highlights
Book Specifications
| ISBN-13 | 9780199596621 |
| ISBN-10 | 019959662X |
| Publisher | OUP Oxford |
| Language | English |
| Dimensions | 15.19 x 2.54 x 22.61 cm |
| Weight | 635 g |
| Category | Performing Arts › Music |
| Genre | Non-fiction |
| Reading Age | Adult |
| Original Language | English |
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