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Music Drama at the Paris Odéon, 1824–1828 by Mark Everist – Hardcover Book Cover
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Music Drama at the Paris Odéon, 1824–1828 by Mark Everist – A Deep Dive into Parisian Opera and Bourbon Restoration Thea

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Product Description

Introduction

Step into the vibrant world of early nineteenth-century Paris, where artistic ambition and political intrigue collided on the stage of the Odéon. Mark Everist's Music Drama at the Paris Odéon, 1824–1828 offers a meticulously researched journey through one of the most dynamic periods in French operatic history. For students of music, history, and literature, this hardcover volume from the University of California Press is an essential addition to any serious library.

Book Overview

This scholarly work reconstructs the brief yet brilliant life of the Paris Odéon as a premier opera house during the Bourbon Restoration. Everist traces the theatre's complete arc—from its ambitious rise through its triumphant years to its eventual decline and closure. The book examines how the Odéon expanded the operatic repertoire and reshaped Parisian musical culture, all while navigating the complex power structures of the era.

Key Highlights

  • Institutional History: A comprehensive look at the Odéon's administrative and political framework, including its relationship with the city of Paris and the royal court.
  • Repertoire Expansion: Detailed analysis of how the Odéon introduced new works and revived forgotten ones, influencing the broader European operatic scene.
  • Cultural Context: Rich depictions of Parisian theatrical, artistic, and social life, placing music drama at the heart of Bourbon Restoration society.
  • Original Research: Based on extensive archival sources, including libretti, scores, and administrative documents from the period.

Story Themes

Beyond the footlights, Music Drama at the Paris Odéon explores themes of institutional survival, artistic innovation under political pressure, and the interplay between commerce and creativity. Everist reveals how the Odéon became a battleground for competing artistic visions—between traditional French opera and emerging Italian styles, between state control and entrepreneurial freedom. The narrative also delves into the lives of composers and librettists who navigated these tensions to produce enduring works.

Reader Benefits

  • Academic Excellence: Ideal for research papers, dissertations, or coursework in musicology, theatre history, and French studies.
  • Deepened Understanding: Gain insight into the mechanisms that drive cultural institutions—lessons that remain relevant today.
  • Rich Narrative: Despite its scholarly rigor, the book is written with a narrative flair that makes it accessible to informed general readers.

Who Should Read

This book is tailored for university students and faculty in music history, opera studies, and nineteenth-century French literature. It will also captivate opera enthusiasts, theatre historians, and anyone fascinated by the cultural politics of Restoration-era Europe. Indian readers with an interest in Western classical music or comparative theatre history will find Everist's analysis both enlightening and engaging.

About the Author

Mark Everist is a distinguished professor of musicology at the University of Southampton, and a leading authority on French music of the nineteenth century. His previous works include studies on Mozart, Rossini, and the reception of Italian opera in France. Everist's meticulous scholarship and ability to weave archival evidence into compelling narratives have earned him international acclaim.

About the Publisher

The University of California Press is one of the most respected academic publishers in the world, known for its rigorous editorial standards and contributions to musicology, history, and the humanities. This hardcover edition reflects the press's commitment to producing durable, beautifully printed volumes that stand the test of time.

Conclusion

Music Drama at the Paris Odéon, 1824–1828 is more than a history of a theatre—it is a window into a pivotal moment when art, power, and society converged. Whether you are a scholar seeking primary research or a lover of opera eager to understand its roots, Mark Everist's work offers a rewarding and immersive experience. Add this essential volume to your collection from Bookshops.in, your trusted source for premium academic titles in India.

Quick Summary

'Music Drama at the Paris Odéon, 1824–1828' by Mark Everist is a definitive institutional history of the Odéon opera house during the Bourbon Restoration. This scholarly work traces the theatre's complete journey from its rise to triumph, then decline and eventual closure. Everist meticulously examines how the Odéon expanded the operatic repertoire and transformed Parisian musical life, while also delving into the political power structures, internal administration, and relationships with composers and librettists. The book offers a rich depiction of French cultural life and the artistic contexts that enabled the Odéon to flourish. Ideal for musicology students, opera enthusiasts, historians of 19th-century France, and theatre scholars, this volume provides deep insights into the intersection of art, politics, and society. Readers will learn about the complex dynamics of opera house management, repertoire development, and the broader cultural significance of the Odéon. By purchasing from Bookshops.in, Indian readers gain access to this authoritative University of California Press publication, ensuring a valuable addition to any academic or personal library.

Book Highlights

Comprehensive institutional history of the Paris Odéon from 1824 to 1828
Explores the opera house's role in expanding operatic repertoire
Examines political power structures controlling Parisian music drama
Details internal administration and relationships with composers and librettists
Rich depiction of French cultural life during the Bourbon Restoration
Traces the complete arc of the Odéon's ascent, triumph, decline, and closure
Highlights the artistic contexts that allowed the Odéon to flourish
Based on extensive archival research
Written by renowned music scholar Mark Everist
Essential reading for students of opera and French history
Illuminates the intersection of theatre, politics, and society
Offers a nuanced understanding of Parisian artistic life
Includes detailed analysis of key productions and figures
Published by the prestigious University of California Press

Book Specifications

ISBN-139780520234451
ISBN-100520234456
Publisher‎ Univ of California Pr
Language‎ English
Dimensions‎ 15.84 x 2.72 x 23.46 cm
Weight‎ 658 g
Country‎ USA
CategoryPerforming Arts › Music
GenreLiterature & Fiction
Original LanguageEnglish

Frequently Asked Questions

What is 'Music Drama at the Paris Odéon, 1824–1828' about?
It is an institutional history of the Paris Odéon opera house during the Bourbon Restoration, covering its rise, peak, decline, and closure, and its impact on operatic repertoire.
Who is the author of this book?
The author is Mark Everist, a prominent music scholar and professor.
Which period does the book cover?
The book focuses specifically on the years 1824 to 1828.
What makes this book unique?
It combines detailed institutional history with analysis of political, social, and artistic contexts, offering a holistic view of the Odéon's role in Parisian life.
Is this book suitable for general readers?
Yes, while scholarly, it is accessible to anyone interested in opera, theatre, or French history.
What topics are covered in the book?
Topics include opera repertoire, theatre administration, political power structures, composer-librettist relationships, and Parisian cultural life.
Does the book include illustrations?
The description does not specify illustrations; it is primarily a text-based scholarly work.
Who is the publisher?
The publisher is University of California Press.
What is the ISBN of this book?
The ISBN-13 is 9780520234451.
Is this book available in hardcover?
Yes, it is available in hardcover binding.
What language is the book written in?
The book is written in English.
Can I use this book for academic research?
Absolutely, it is a well-researched scholarly work ideal for musicology, history, and theatre studies.
Where can I buy this book in India?
You can purchase it from Bookshops.in, a premium Indian online bookstore.
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