
Music Drama at the Paris Odéon, 1824–1828 by Mark Everist – A Deep Dive into Parisian Opera and Bourbon Restoration Thea
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Product Description
Introduction
Step into the vibrant world of early nineteenth-century Paris, where artistic ambition and political intrigue collided on the stage of the Odéon. Mark Everist's Music Drama at the Paris Odéon, 1824–1828 offers a meticulously researched journey through one of the most dynamic periods in French operatic history. For students of music, history, and literature, this hardcover volume from the University of California Press is an essential addition to any serious library.
Book Overview
This scholarly work reconstructs the brief yet brilliant life of the Paris Odéon as a premier opera house during the Bourbon Restoration. Everist traces the theatre's complete arc—from its ambitious rise through its triumphant years to its eventual decline and closure. The book examines how the Odéon expanded the operatic repertoire and reshaped Parisian musical culture, all while navigating the complex power structures of the era.
Key Highlights
- Institutional History: A comprehensive look at the Odéon's administrative and political framework, including its relationship with the city of Paris and the royal court.
- Repertoire Expansion: Detailed analysis of how the Odéon introduced new works and revived forgotten ones, influencing the broader European operatic scene.
- Cultural Context: Rich depictions of Parisian theatrical, artistic, and social life, placing music drama at the heart of Bourbon Restoration society.
- Original Research: Based on extensive archival sources, including libretti, scores, and administrative documents from the period.
Story Themes
Beyond the footlights, Music Drama at the Paris Odéon explores themes of institutional survival, artistic innovation under political pressure, and the interplay between commerce and creativity. Everist reveals how the Odéon became a battleground for competing artistic visions—between traditional French opera and emerging Italian styles, between state control and entrepreneurial freedom. The narrative also delves into the lives of composers and librettists who navigated these tensions to produce enduring works.
Reader Benefits
- Academic Excellence: Ideal for research papers, dissertations, or coursework in musicology, theatre history, and French studies.
- Deepened Understanding: Gain insight into the mechanisms that drive cultural institutions—lessons that remain relevant today.
- Rich Narrative: Despite its scholarly rigor, the book is written with a narrative flair that makes it accessible to informed general readers.
Who Should Read
This book is tailored for university students and faculty in music history, opera studies, and nineteenth-century French literature. It will also captivate opera enthusiasts, theatre historians, and anyone fascinated by the cultural politics of Restoration-era Europe. Indian readers with an interest in Western classical music or comparative theatre history will find Everist's analysis both enlightening and engaging.
About the Author
Mark Everist is a distinguished professor of musicology at the University of Southampton, and a leading authority on French music of the nineteenth century. His previous works include studies on Mozart, Rossini, and the reception of Italian opera in France. Everist's meticulous scholarship and ability to weave archival evidence into compelling narratives have earned him international acclaim.
About the Publisher
The University of California Press is one of the most respected academic publishers in the world, known for its rigorous editorial standards and contributions to musicology, history, and the humanities. This hardcover edition reflects the press's commitment to producing durable, beautifully printed volumes that stand the test of time.
Conclusion
Music Drama at the Paris Odéon, 1824–1828 is more than a history of a theatre—it is a window into a pivotal moment when art, power, and society converged. Whether you are a scholar seeking primary research or a lover of opera eager to understand its roots, Mark Everist's work offers a rewarding and immersive experience. Add this essential volume to your collection from Bookshops.in, your trusted source for premium academic titles in India.
Quick Summary
'Music Drama at the Paris Odéon, 1824–1828' by Mark Everist is a definitive institutional history of the Odéon opera house during the Bourbon Restoration. This scholarly work traces the theatre's complete journey from its rise to triumph, then decline and eventual closure. Everist meticulously examines how the Odéon expanded the operatic repertoire and transformed Parisian musical life, while also delving into the political power structures, internal administration, and relationships with composers and librettists. The book offers a rich depiction of French cultural life and the artistic contexts that enabled the Odéon to flourish. Ideal for musicology students, opera enthusiasts, historians of 19th-century France, and theatre scholars, this volume provides deep insights into the intersection of art, politics, and society. Readers will learn about the complex dynamics of opera house management, repertoire development, and the broader cultural significance of the Odéon. By purchasing from Bookshops.in, Indian readers gain access to this authoritative University of California Press publication, ensuring a valuable addition to any academic or personal library.
Book Highlights
Book Specifications
| ISBN-13 | 9780520234451 |
| ISBN-10 | 0520234456 |
| Publisher | Univ of California Pr |
| Language | English |
| Dimensions | 15.84 x 2.72 x 23.46 cm |
| Weight | 658 g |
| Country | USA |
| Category | Performing Arts › Music |
| Genre | Literature & Fiction |
| Original Language | English |
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