Literary Conclusions: The Poetics of Ending in Lessing, Goethe, and Kleist

Product description Review "This is a well written and forcefully argued study that succeeds in bringing out an important and heretofore unrecognized curve of literary-historical development across what must be regarded as the most significant phase of German cultural history. Simons's command of the scholarship is exemplary, combining close textual analysis with a broad view of literary and intellectual history. The book's contribution to current discussions in the scholarship--about the historical study of form and the place of the history of knowledge in literary historical study--is substantial." --David E. Wellbery, editor-in-chief of A New History of German Literature"Simons operates on an elaborate and cutting-edge theoretical level. The readings in the book can be described as combining new formalist thinking with historical epistemology in the tradition of Foucault and the New Historicism. Simons's book is innovative and exemplary at the same time, and this, in my view, is an enormous accomplishment." --Rüdiger Campe, author of The Game of Probability: Literature and Calculation from Pascal to Kleist"This thought-provoking book greatly enriches our understanding of a key juncture in literary history by drawing attention to the ways in which literary genres, patterns of emplotment, and syntactical structures follow, critique, and complicate forms of reasoning in an age that glorifies reason and despairs of it in turn." --Márton Dornbach, author of The Saving Line: Benjamin, Adorno, and the Caesuras of Hope (Northwestern University Press, 2021) About the Author OLIVER SIMONS is a professor of Germanic languages at Columbia University. He is the author of Raumgeschichten: Topographien der Moderne in Philosophie, Wissenschaft und Literatur and Literaturtheorien zur Einführung and the coeditor of The Oxford Handbook of Carl Schmitt.