
Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations
Inclusive of all applicable taxes. FREE shipping on all orders.
Available Offers
- 🚚Free Delivery — Free shipping on all orders
- 💵Cash on Delivery — Pay when your order arrives
- ↩️15-Day Easy Returns — Hassle-free return policy
- 🔒Cash on Delivery — Pay safely when your order arrives
Check Delivery
Product Description
Shakespeare's three political tragedies-Hamlet, Macbeth, and King Lear-have numerously been presented or adapted on film. These three plays all involve the recurring trope of madness, which, as constructed by Shakespeare, provided a wider canvas on which to detail those materials that could not be otherwise expressed: sexual desire and expectation, political unrest, and, ultimately, truth, as excavated by characters so afflicted. Music has long been associated with madness, and was often used as an audible symptom of a victim's disassociation from their surroundings and societal rules, as well as their loss of self-control.In Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations, Kendra Preston Leonard examines the use of music in Hamlet, Macbeth, and King Lear. Whether discussing contemporary source materials, such as songs, verses, or rhymes specified by Shakespeare in his plays, or music composed specifically for a film and original to the director's or composer's interpretations, Leonard shows how the changing social and scholarly attitudes towards the plays, their characters, and the conditions that fall under the general catch-all of "madness" have led to a wide range of musical accompaniments, signifiers, and incarnations of the afflictions displayed by Shakespeare's characters.Focusing on the most widely distributed and viewed adaptations of these plays for the cinema, each chapter presents the musical treatment of individual Shakespearean characters afflicted with or feigning madness: Hamlet, Ophelia, Lady Macbeth, King Lear, and Edgar. The book offers analysis and interpretation of the music used to underscore, belie, or otherwise inform or invoke the characters' states of mind, providing a fascinating indication of culture and society, as well as the thoughts and ideas of individual directors, composers, and actors. A bibliography, index, and appendix listing Shakespeare's film adaptations help complete this fascinating volume.
Book Specifications
| ISBN-13 | 9780810869462 |
| ISBN-10 | 0810869462 |
| Publisher | Scarecrow Pr |
| Language | English |
| Dimensions | 15.24 x 1.04 x 22.86 cm |
| Weight | 249 g |
| Category | Performing Arts › Film & Television |
Frequently Asked Questions
What is the price of Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations?
Does BookShops.in offer free delivery for Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations?
Is Cash on Delivery available for Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations?
What is the return policy for Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations?
Is Shakespeare, Madness, and Music: Scoring Insanity in Cinematic Adaptations authentic?
Customers Also Bought

Contemporary Fiction
Stepladder Junction and Other Stories

Contemporary Fiction
Fabrications by Pamela Painter – Short Story Collection

Contemporary Fiction
The Double Life of an Alaskan Sled Dog (English, Andrea Finney Aufder Heyde)

Contemporary Fiction
The Alabaster Girl by Zan Perrion

Contemporary Fiction
Grimm and Grimmer: Classic Fairy Tales Rebooted by Mark Russell

Classic Literature
The Prose Works of Andrew Marvell: 1676-1678 by Andrew Marvell – Restoration Literature
Related Products
View All
Literature & Fiction
Literary Research and Canadian Literature: Strategies and Sources: 10 (Literary Research: Strategies and Sources, 10)

Literature & Fiction
Crime Fiction and National Identities in the Global Age | by Julie H. Kim | McFarland & Company | by Julie H. Kim | McFarland & Company | by Julie H. Kim | McFarland & Company | by Julie H. Kim | McFarland & Company | by Julie H. Kim | McFarland & Company | by Julie H. Kim | McFarland & Company | by Julie H. Kim | McFarland & Company | by Julie H. Kim | McFarland & Company | by Julie H. Kim | McFarland & Company | by Julie H. Kim | McFarland & Company | by

Literature & Fiction
Greek Literature in the Classical Period: The Poetics of Drama in Athens: 4 (Greek Literature Vol. 4)

Literature & Fiction
Greek Literature and Philosophy (Greek Literature, Volume 6)

Literature & Fiction
Antony and Cleopatra by William Shakespeare – Cambridge University Press

Literature & Fiction
