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Writing against Revolution: Literary Conservatism in Britain, 1790–1832 by Kevin Gilmartin – hardcover book cover
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Writing against Revolution: Literary Conservatism in Britain, 1790–1832 by Kevin Gilmartin – A Critical Study of Counter

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Product Description

Introduction

In an era when the very idea of revolution was reshaping nations and identities, a powerful countercurrent emerged in Britain—not merely to preserve the old order but to reimagine it. Kevin Gilmartin’s Writing against Revolution: Literary Conservatism in Britain, 1790–1832 offers a groundbreaking exploration of how conservative writers and thinkers used the very tools of print culture—ballads, novels, reviews, and pamphlets—to fight the tide of radical change. This hardcover volume from Cambridge University Press is an essential read for anyone seeking to understand the literary and ideological battles that defined the Romantic period in Britain.

Book Overview

Gilmartin challenges the conventional view that conservatism in the Romantic era was merely a reactionary defence of the status quo. Instead, he reveals a dynamic, forward-looking movement that aimed to transform British society from within, using print as its principal weapon. From the loyalist Association movement of the 1790s to the sophisticated critiques of the Anti-Jacobin Review, this book traces how conservative authors engaged with—and often sought to control—the rapidly expanding world of printed media. It is a story of cultural contestation, where the battle for hearts and minds was fought on every page.

Key Highlights

  • Original Thesis: Argues that literary conservatism was not a backward-looking defence but a creative, transformative force.
  • Rich Case Studies: Analyses the Cheap Repository Tracts, Hannah More’s writings, and the fiction of Jane Austen and Walter Scott from a conservative lens.
  • Interdisciplinary Approach: Bridges literary criticism, history, and political theory to offer a holistic understanding of counterrevolutionary culture.
  • Critical Reception: Widely praised by scholars for its nuanced and revisionist perspective on Romantic-era politics and literature.

Inside the Book

The book is divided into eight tightly argued chapters. It begins with the pamphlet wars of the 1790s, examining how loyalist associations used cheap print to mobilise public opinion against the French Revolution. Subsequent chapters delve into the role of periodical reviews as arbiters of literary and political taste, the emergence of anti-Jacobin fiction, and the conservative careers of major Romantic writers. Gilmartin concludes with a fresh look at how conservative thought adapted to the post-Napoleonic era, shaping the literary landscape for decades to come.

Key Topics

  • Counterrevolutionary Print Culture: How ballads, tales, and dialogues became tools of political persuasion.
  • The Loyalist Association Movement: Grassroots campaigns to suppress radical ideas through literature.
  • Periodical Reviews and Censorship: The Quarterly Review and Anti-Jacobin as gatekeepers of acceptable opinion.
  • Anti-Jacobin Fiction: Novels that parodied and condemned revolutionary ideals.
  • Gender and Conservatism: The role of women writers like Hannah More in shaping domestic and national virtue.
  • Romantic Conservatism: How Wordsworth, Coleridge, and Southey navigated their own conservative turns.

Reader Benefits

  • Deepen Your Understanding: Gain a nuanced perspective on a period often oversimplified as a clash between radicals and reactionaries.
  • Enhance Your Research: Perfect for students and scholars of British literature, history, and political thought.
  • Discover Hidden Voices: Explore the works of lesser-known conservative writers who shaped public opinion.
  • Connect Past and Present: Understand how debates about print, propaganda, and cultural control resonate in today’s media landscape.

Learning Outcomes

  • Analyse the literary strategies employed by conservative writers to counter revolutionary ideas.
  • Evaluate the role of print media in shaping political consciousness during the Romantic period.
  • Critically assess the relationship between literature, ideology, and social change.
  • Identify key texts and authors in the British counterrevolutionary tradition.
  • Develop a sophisticated understanding of how conservatism evolved as a cultural force in the early nineteenth century.

Who Should Read

This book is ideal for postgraduate students and academics in English literature, history, and political science, particularly those specialising in the Romantic era. It will also appeal to advanced undergraduates writing dissertations on Romanticism, conservatism, or print culture. General readers with a keen interest in the intellectual history of Britain will find Gilmartin’s prose accessible yet rigorous, making this a rewarding addition to any serious library.

About the Author

Kevin Gilmartin is Professor of English at the California Institute of Technology, where he specialises in Romantic-era literature and culture. He is the author of Print Politics: The Press and Radical Opposition in Early Nineteenth-Century England and has edited several volumes on Romantic writing. His research focuses on the intersection of literature, politics, and print media, and he is widely regarded as a leading authority on the counterrevolutionary literary tradition in Britain.

About the Publisher

Cambridge University Press is one of the world’s oldest and most prestigious academic publishers, with a history dating back to 1534. Based in the United Kingdom, it is renowned for its rigorous peer-review process and its commitment to publishing scholarship of the highest quality. This hardcover edition, part of the Cambridge Studies in Romanticism series, reflects the Press’s dedication to advancing knowledge in the humanities.

Conclusion

Writing against Revolution is a vital corrective to the notion that conservatism in the Romantic period was merely a reactionary impulse. Through meticulous research and compelling analysis, Kevin Gilmartin shows how conservative writers forged a new cultural politics—one that used the very medium of print to resist the forces of revolution. For Indian readers and students seeking to understand the global echoes of these debates, this book offers an indispensable guide to the literary battles that shaped the modern world. Order your copy today from Bookshops.in and add this landmark work to your collection.

Quick Summary

Writing against Revolution: Literary Conservatism in Britain, 1790–1832 by Kevin Gilmartin offers a groundbreaking analysis of how conservative writers and thinkers in Britain used print culture to counter the revolutionary fervor emanating from France. Rather than simply preserving the old regime, these figures aimed to transform British society and culture to ensure a stable future. Gilmartin examines a wide range of print forms—including ballads, pamphlets, novels, dialogues, and critical reviews—showing how they became essential tools in the counterrevolutionary campaign. The book delves into the loyalist Association movement and other print-based efforts, revealing the paradox of using an unstable medium to promote stability. This work is ideal for students and scholars of Romantic literature, British history, political thought, and print culture. Readers will gain a nuanced understanding of conservatism as an active, creative force. By purchasing this hardcover from Bookshops.in, Indian readers receive a premium academic edition with reliable delivery and customer support, perfect for building a scholarly library.

Book Highlights

Original analysis of conservative literary culture in Romantic Britain
Focus on print forms: ballads, tales, dialogues, novels, reviews
Shows conservatism as transformative, not merely preservative
Examines loyalist Association movement pamphlets
Connects print culture to counterrevolutionary politics
Explores the paradox of using unstable print for stability
Detailed study of 1790–1832 period
Published by Cambridge University Press
Hardcover edition for lasting reference
Ideal for scholars of British history and literature
Offers fresh perspective on Romantic-era conservatism
Includes analysis of key counterrevolutionary texts
Helps understand British response to French Revolution
Written by a leading expert in Romantic literature

Book Specifications

ISBN-139780521861137
ISBN-100521861136
Publisher‎ Cambridge University Press
Language‎ English
Dimensions‎ 15.88 x 2.54 x 23.5 cm
Weight‎ 670 g
Country‎ India
CategoryLiterature › English Literature
GenreLiterary Criticism / History
Original LanguageEnglish

Frequently Asked Questions

What is 'Writing against Revolution' about?
It explores how British conservative writers used print forms like ballads, pamphlets, and novels to counter revolutionary ideas between 1790 and 1832.
Who is the author Kevin Gilmartin?
Kevin Gilmartin is a scholar of Romantic literature and culture, known for his work on British conservatism and print culture.
Is this book suitable for undergraduate students?
Yes, it is accessible to advanced undergraduates and essential for graduate students studying Romantic literature or political history.
Does the book focus only on literature?
No, it also examines political pamphlets, loyalist movements, and the cultural impact of print.
What time period does the book cover?
The years 1790 to 1832, a critical period of British response to the French Revolution.
Is this a hardcover edition?
Yes, the book is available in hardcover from Cambridge University Press.
How does this book differ from other studies on conservatism?
It argues that conservatism was transformative, not just preservative, and highlights the strategic use of print culture.
What print forms does the book analyze?
Ballads, tales, dialogues, novels, critical reviews, and pamphlets.
Can I use this book for my research paper?
Absolutely, it is a scholarly work with detailed analysis and references.
Does the book discuss the French Revolution?
Yes, it contrasts British conservative culture with the upheavals in France.
What is the ISBN of this book?
9780521861137.
Who is the publisher?
Cambridge University Press.
Where can I buy this book in India?
You can purchase it from Bookshops.in, a premium Indian online bookstore.

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