Performative Opacity in the Work of Isabelle Huppert | by Iggy Cortez | Ian Fleishman | ‎ Oxford Univ Pr | ‎ English

Product description Review Framed by an ambitious, imaginative introduction, this volume provides a welcome contribution for readers interested in Isabelle Huppert's astonishing career and powerful star image. It has much to teach a wider readership interested in affect, embodied performance, cinematic institutions, and screen cultures.--Nick Salvato, Cornell UniversityThis transporting collection seizes the key paradox of Isabelle Huppert's performance style--so frank, yet so enigmatic--as the launchpad for a series of inspired, surprising, persuasive analyses of her work. These essays also furnish fresh, rewarding lenses on affect and opacity, whiteness and nation, comedy and irony, motherhood and melodrama.--Nick Davis, Northwestern University About the Author Iggy Cortez is Assistant Professor of Cinema and Media Arts and English at Vanderbilt University. His articles and other writing have appeared in Journal of Cinema and Media Studies, Camera Obscura, and Film Quarterly, among other venues, on topics ranging from world cinema, digital aesthetics, queer sociality, and the relationship between racialization and technology. He is currently working on a manuscript on night-time in world cinema.Ian Fleishman is Associate Professor of Cinema and Media Studies as well as in the Department of French, Italian and Germanic Studies at the University of Pennsylvania. He has published widely on subjects ranging from the Baroque to contemporary cinema and moving-image pornography. His first monograph, An Aesthetics of Injury: The Narrative Wound from Baudelaire to Tarantino (2018), was the winner of the Northeast Modern Language Association Book Award.