
Regard for the Other: Autothanatography in Rousseau, De Quincey, Baudelaire, and Wilde
Inclusive of all applicable taxes. FREE shipping on all orders.
Available Offers
- 🚚Free Delivery — Free shipping on all orders
- 💵Cash on Delivery — Pay when your order arrives
- ↩️15-Day Easy Returns — Hassle-free return policy
- 🔒Cash on Delivery — Pay safely when your order arrives
Check Delivery
Product Description
About This Book
Although much has been written on autobiography, the same cannot be said of autothanatography, the writing of one's death. This study starts from the deconstructive premise that autobiography is aporetic, not or not only a matter of a subject strategizing with language to produce an exemplary identity but a matter also of its responding to an exorbitant call to write its death. The I-dominated representations of particular others and of the privileged other to whom a work is addressed, must therefore be set against an alterity plaguing the I from within or shadowing it from without. This alterity makes itself known in writing as the potential of the text to carry messages that remain secret to the confessing subject. Anticipation of the potential for the confessional text to say what Augustine calls "the secret I do not know," the secret of death, engages the autothanatographical subject in a dynamic, inventive, and open-ended process of identification. The subject presented in these texts is not one that has already evolved an interior life that it seeks to reveal to others, but one that speaks to us as still in process. Through its exorbitant response, it gives intimations of an interiority and an ethical existence to come. Baudelaire emerges as a central figure for this understanding of autobiography as autothanatography through his critique of the narcissism of a certain Rousseau, his translation of De Quincey's confessions, with their vertiginously ungrounded subject-in-construction, his artistic practice of self-conscious, thorough-going doubleness, and his service to Wilde as model for an aporetic secrecy. The author discusses the interruption of narrative that must be central to the writing of one's death and addresses the I's dealings with the aporias of such structuring principles as secrecy, Levinasian hospitality, or interiorization as translation. The book makes a strong intervention in the debate over one of the most-read genres of our time.
About the Author
Regard for the Other: Autothanatography in Rousseau, De Quincey, Baudelaire, and Wilde is authored by E. S. Burt.
Book Highlights
Book Specifications
| ISBN-13 | 9780823230914 |
| ISBN-10 | 0823230910 |
| Publisher | Fordham University Press |
| Language | English |
| Dimensions | 16.36 x 1.91 x 23.04 cm |
| Weight | 399 g |
| Country | India |
| Category | World Literature › European |
Frequently Asked Questions
What is the price of Regard for the Other: Autothanatography in Rousseau, De Quincey, Baudelaire, and Wilde?
Does BookShops.in offer free delivery for Regard for the Other: Autothanatography in Rousseau, De Quincey, Baudelaire, and Wilde?
Is Cash on Delivery available for Regard for the Other: Autothanatography in Rousseau, De Quincey, Baudelaire, and Wilde?
What is the return policy for Regard for the Other: Autothanatography in Rousseau, De Quincey, Baudelaire, and Wilde?
Is Regard for the Other: Autothanatography in Rousseau, De Quincey, Baudelaire, and Wilde authentic?
Customers Also Bought

McFarland & Company
Playing with the Guys | by Marc A. Ouellette | Matthew Wilhelm Kapell | McFarland & Company | by Marc A. Ouellette | Matthew Wilhelm Kapell | McFarland & Company | by Marc A. Ouellette | Matthew Wilhelm Kapell | McFarland & Company | by Marc A. Ouellette | Matthew Wilhelm Kapell | McFarland & Company | by Marc A. Ouellette | Matthew Wilhelm Kapell | McFarland & Company | by Marc A. Ouellette | Matthew Wilhelm Kapell | McFarland & Company | by Marc A. Ouellette | Matthew W

Rowman & Littlefield Publishers
Joss Whedon's Dollhouse: Confounding Purpose, Confusing Identity (Science Fiction Television)

State University of New York Press
Mexico Unmanned: The Cultural Politics of Masculinity in Mexican Cinema (SUNY series in Latin American Cinema)

McFarland & Company
Valley Forge to Monmouth | by Jim Stempel | McFarland & Company | by Jim Stempel | McFarland & Company | by Jim Stempel | McFarland & Company | by Jim Stempel | McFarland & Company | by Jim Stempel | McFarland & Company | by Jim Stempel | McFarland & Company | by Jim Stempel | McFarland & Company | by Jim Stempel | McFarland & Company | by Jim Stempel | McFarland & Company | by Jim Stempel | McFarland & Company | by Jim Stempel | McFarland & Company |

University of Toronto Press
Structures of Feeling in Seventeenth-Century Cultural Expression (UCLA Center Clark Library)

McFarland & Company
Welcome to Arkham Asylum | by Sharon Packer | Daniel R. Fredrick | McFarland & Company | by Sharon Packer | Daniel R. Fredrick | McFarland & Company | by Sharon Packer | Daniel R. Fredrick | McFarland & Company | by Sharon Packer | Daniel R. Fredrick | McFarland & Company | by Sharon Packer | Daniel R. Fredrick | McFarland & Company | by Sharon Packer | Daniel R. Fredrick | McFarland & Company | by Sharon Packer | Daniel R. Fredrick | McFarland & Company | by Sharon P
Related Products
View All
Fordham University Press
Between Page and Screen: Remaking Literature Through Cinema and Cyberspace (Verbal Arts : Studies in Poetics)

Fordham University Press
G.K. Chesterton: Philosopher Without Portfolio

Fordham University Press
Imperfect Equality: African Americans and the Confines of White Racial Attitudes in Post-Emancipation Maryland (Reconstructing America, 2)

Fordham University Press
Communicating When Your Company Is Under Siege: Surviving Public Crisis

Fordham University Press
Vertigo: The Temptation of Identity by Andrea Cavalletti – Philosophy

Fordham University Press
