
Vertigo: The Temptation of Identity by Andrea Cavalletti – A Philosophical Journey Through Cinema and Consciousness
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Product Description
Introduction
What does it mean to feel the ground disappear beneath your feet? In Vertigo: The Temptation of Identity, Andrea Cavalletti takes readers on a philosophical journey that redefines vertigo not as a mere physical sensation but as a profound existential condition. Published by Fordham University Press, this hardcover edition is a must-have for students of philosophy, literature, and film studies in India who seek to understand the intricate relationship between identity, fear, and the void. Cavalletti masterfully weaves together insights from Alfred Hitchcock’s classic film Vertigo with centuries of philosophical thought, offering a fresh perspective on how the temptation to lose oneself shapes human consciousness.
Book Overview
Drawing on the works of Montaigne, Pascal, Freud, and later thinkers, Vertigo: The Temptation of Identity argues that vertigo has been a central, albeit often overlooked, theme in Western philosophy. Cavalletti shows how the fear of falling—and the paradoxical desire to fall—has haunted philosophers from the Enlightenment to the present day. The book explores how vertigo destabilizes the self, forcing us to confront the fragility of identity and the allure of the abyss. By reading philosophy through the lens of Hitchcock’s masterpiece, Cavalletti reveals that vertigo is not a disturbance to be cured but a gateway to understanding the very nature of being.
Key Highlights
- Interdisciplinary Approach: Blends philosophy, film studies, and psychoanalysis to create a rich, layered analysis.
- Original Thesis: Challenges traditional views of vertigo as a mere pathology, presenting it as a fundamental philosophical concept.
- Hitchcock’s Influence: Uses Alfred Hitchcock’s Vertigo as a narrative and thematic anchor to explore existential questions.
- Historical Depth: Traces the evolution of vertigo from Montaigne and Pascal to Freud and beyond.
- Critical Edition: Published by Fordham University Press, a prestigious academic publisher known for rigorous scholarship.
Inside the Book
This hardcover volume is divided into carefully structured chapters that guide the reader from the early modern understanding of vertigo to its modern interpretations. Cavalletti begins with the philosophical roots of acrophobia, examining how thinkers like Montaigne and Pascal saw vertigo as a trick of the imagination. He then moves to the nineteenth-century sciences of the mind, where vertigo was treated as a mental pathology, sometimes through alarming rotational therapies. The heart of the book lies in its analysis of Hitchcock’s Vertigo, where Cavalletti unpacks how the film’s protagonist, Scottie Ferguson, embodies the existential crisis of identity. The final chapters explore vertigo as a metaphor for the modern condition—a state where the self is both threatened and tempted by dissolution.
Key Topics
- Existential Philosophy: The nature of selfhood, identity, and the void.
- Psychoanalysis: Fear, desire, and the unconscious in shaping human experience.
- Film as Philosophy: How cinema can illuminate deep philosophical questions.
- History of Emotions: The cultural and intellectual history of vertigo and acrophobia.
- Modernity and Alienation: The role of disorientation in contemporary life.
Reader Benefits
Readers will gain a deeper appreciation for the philosophical dimensions of a common human experience. This book helps you see vertigo not as a weakness but as a doorway to self-understanding. It enriches your reading of Hitchcock’s film and provides tools to analyze other works of art and literature. For students and scholars, it offers a unique framework for interdisciplinary research. The hardcover format ensures durability, making it a lasting addition to any personal or institutional library.
Learning Outcomes
- Critical Thinking: Develop the ability to connect philosophical ideas with cultural artifacts.
- Historical Knowledge: Understand the evolution of a key concept in Western thought.
- Analytical Skills: Learn to interpret complex texts and films through a philosophical lens.
- Self-Reflection: Explore the implications of vertigo for personal identity and existential anxiety.
- Interdisciplinary Synthesis: Combine insights from philosophy, psychology, and film studies.
Who Should Read
This book is ideal for advanced undergraduate and postgraduate students of philosophy, especially those interested in existentialism, phenomenology, or the philosophy of film. It will also appeal to scholars of psychoanalysis, cultural studies, and film theory. General readers with a passion for Hitchcock, intellectual history, or the mysteries of human consciousness will find it equally rewarding. Whether you are a student at a Indian university or an independent learner, this book offers a rigorous yet accessible exploration of a fascinating topic.
About the Author
Andrea Cavalletti is an Italian philosopher and scholar known for his work at the intersection of philosophy, literature, and the arts. He has taught at several universities and is the author of numerous books that challenge conventional boundaries between disciplines. Cavalletti’s writing is characterized by its clarity, depth, and ability to make complex ideas resonate with contemporary readers. In Vertigo: The Temptation of Identity, he brings his unique perspective to bear on one of cinema’s most haunting films, offering a reading that is both intellectually rigorous and emotionally compelling.
About the Publisher
Fordham University Press, based in New York, is a distinguished academic publisher with a strong commitment to advancing scholarship in the humanities and social sciences. Known for its rigorous editorial standards and diverse catalog, the press publishes works that push the boundaries of traditional disciplines. This hardcover edition is a testament to their dedication to producing high-quality books that serve both the academic community and the broader reading public. For Indian readers, Fordham University Press titles are a mark of intellectual prestige and reliability.
Conclusion
Vertigo: The Temptation of Identity is more than a book—it is an invitation to rethink what it means to be a self in a world full of uncertainties. Andrea Cavalletti’s brilliant synthesis of philosophy, film, and psychology will leave you seeing both Hitchcock’s masterpiece and your own life in a new light. Order your hardcover copy from Bookshops.in today and let this transformative work take you to the edge of understanding.
Quick Summary
Vertigo: The Temptation of Identity by Andrea Cavalletti is a profound philosophical work that reinterprets vertigo as a central concept in modern thought. Using Alfred Hitchcock's iconic film 'Vertigo' as a springboard, Cavalletti traces how philosophers from the 19th century onward have viewed the fear of falling—and the temptation to fall—as a destabilizing yet essential element of human consciousness. The book delves into the history of mental sciences, where vertigo was once a key pathology, and examines rotational therapies designed to induce it. This is not just a study of fear but a deep inquiry into identity, selfhood, and the void that lies beneath our sense of stability. Ideal for students of philosophy, film studies, and psychoanalysis, this book offers a unique lens to understand how cinema and philosophy intertwine. Readers will gain a fresh perspective on identity as something constantly in flux. By purchasing from Bookshops.in, Indian readers receive a genuine hardcover edition from Fordham University Press with reliable service.
Book Highlights
Book Specifications
| ISBN-13 | 9780823298037 |
| ISBN-10 | 0823298035 |
| Publisher | Fordham Univ Pr |
| Language | English |
| Dimensions | 15.24 x 1.6 x 22.86 cm |
| Weight | 454 g |
| Category | Literature › Literary Theory |
| Genre | Philosophy |
| Reading Age | Adult |
| Original Language | Italian |
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